Francisco de goya y Lucientes

b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,
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Francisco de goya y Lucientes The Miracle of St Anthony oil painting


The Miracle of St Anthony
Pintura Identificación::  62830
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The Miracle of St Anthony
1798 Fresco, width of detail 50 cm San Antonio de la Florida, Madrid Artist: GOYA Y LUCIENTES, Francisco de Title: The Miracle of St Anthony (detail) , painting Date: 1801-1850 Spanish : religious
1798_Fresco,_width_of_detail_50_cm_San_Antonio_de_la_Florida,_Madrid_Artist:_GOYA_Y_LUCIENTES,_Francisco_de_Title:_The_Miracle_of_St_Anthony_(detail)__,_painting_Date:_1801-1850_____Spanish_:_religious
   
   
     

Francisco de goya y Lucientes Bartolom Sureda y Miserol oil painting


Bartolom Sureda y Miserol
Pintura Identificación::  62831
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Bartolom Sureda y Miserol
1804-06 Oil on canvas, 120 x 79 cm National Gallery of Art, Washington BartolomeSureda was the director of the Spanish royal textile, crystal, and ceramic factories.He taught Goya the technique of aquatint. In 1804 Sureda became director of the porcelain works at the Buen Retiro. The companion-piece of the portrait, also in the National Gallery of Art in Washington, represents his wife. Artist: GOYA Y LUCIENTES, Francisco de Title: BartolomeSureda y Miserol , painting Date: 1801-1850 Spanish : portrait
1804-06_Oil_on_canvas,_120_x_79_cm_National_Gallery_of_Art,_Washington_BartolomeSureda_was_the_director_of_the_Spanish_royal_textile,_crystal,_and_ceramic_factories.He_taught_Goya_the_technique_of_aquatint._In_1804_Sureda_became_director_of_the_porcelain_works_at_the_Buen_Retiro._The_companion-piece_of_the_portrait,_also_in_the_National_Gallery_of_Art_in_Washington,_represents_his_wife._Artist:_GOYA_Y_LUCIENTES,_Francisco_de_Title:_BartolomeSureda_y_Miserol__,_painting_Date:_1801-1850_____Spanish_:_portrait
   
   
     

Francisco de goya y Lucientes Portrait of Jos Antonio oil painting


Portrait of Jos Antonio
Pintura Identificación::  62832
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Portrait of Jos Antonio
Marques de Caballero 1807 Oil on canvas, 105,5 x 84 cm Museum of Fine Arts, Budapest Marques de Caballero (1760-1821) was the Minister of Justice when Goya painted this portrait. Goya signed the painting on the paper held by the left hand of the sitter. Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of JoseAntonio, Marques de Caballero , painting Date: 1801-1850 Spanish : portrait
Marques_de_Caballero_1807_Oil_on_canvas,_105,5_x_84_cm_Museum_of_Fine_Arts,_Budapest_Marques_de_Caballero_(1760-1821)_was_the_Minister_of_Justice_when_Goya_painted_this_portrait._Goya_signed_the_painting_on_the_paper_held_by_the_left_hand_of_the_sitter._Artist:_GOYA_Y_LUCIENTES,_Francisco_de_Title:_Portrait_of_JoseAntonio,_Marques_de_Caballero__,_painting_Date:_1801-1850_____Spanish_:_portrait
   
   
     

Francisco de goya y Lucientes Portrait of Juan Antonio Cuervo oil painting


Portrait of Juan Antonio Cuervo
Pintura Identificación::  62833
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Portrait of Juan Antonio Cuervo
1819 Oil on canvas, 120 x 87 cm Museum of Art, Cleveland The sitter was an architect who was appointed Director of the Royal Academy of San Fernando in August 1815. He wears the uniform of his office and holds dividers, an attribute of his profession. The plan on the table beside him is possibly for the church of Santiago in Madrid on which he had worked in 1811 and which made his reputation. The portrait was probably finished before Goya fell ill at the end of 1819 and is one of his last official portraits. The inscription indicates that it is at the same time a portrait of a friend. The painting is signed: 'Dn. Juan Anto/Cuervo/Directr de la RI/Academia de Sn/Fernando/Por su amigo Goya/ano 1819' Artist: GOYA Y LUCIENTES, Francisco de Title: Portrait of Juan Antonio Cuervo , painting Date: 1801-1850 Spanish : portrait
1819_Oil_on_canvas,_120_x_87_cm_Museum_of_Art,_Cleveland_The_sitter_was_an_architect_who_was_appointed_Director_of_the_Royal_Academy_of_San_Fernando_in_August_1815._He_wears_the_uniform_of_his_office_and_holds_dividers,_an_attribute_of_his_profession._The_plan_on_the_table_beside_him_is_possibly_for_the_church_of_Santiago_in_Madrid_on_which_he_had_worked_in_1811_and_which_made_his_reputation._The_portrait_was_probably_finished_before_Goya_fell_ill_at_the_end_of_1819_and_is_one_of_his_last_official_portraits._The_inscription_indicates_that_it_is_at_the_same_time_a_portrait_of_a_friend._The_painting_is_signed:_'Dn._Juan_Anto/Cuervo/Directr_de_la_RI/Academia_de_Sn/Fernando/Por_su_amigo_Goya/ano_1819'_Artist:_GOYA_Y_LUCIENTES,_Francisco_de_Title:_Portrait_of_Juan_Antonio_Cuervo__,_painting_Date:_1801-1850_____Spanish_:_portrait
   
   
     

Francisco de goya y Lucientes Tiburcio oil painting


Tiburcio
Pintura Identificación::  62834
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Tiburcio
1820 Oil on canvas, 102 x 81 cm Metropolitan Museum of Art, new York Tiburcio Perez y Cuervo was an architect, a friend of Goya. Artist: GOYA Y LUCIENTES, Francisco de Title: Tiburcio Perez y Cuervo , painting Date: 1801-1850 Spanish : portrait
1820_Oil_on_canvas,_102_x_81_cm_Metropolitan_Museum_of_Art,_new_York_Tiburcio_Perez_y_Cuervo_was_an_architect,_a_friend_of_Goya._Artist:_GOYA_Y_LUCIENTES,_Francisco_de_Title:_Tiburcio_Perez_y_Cuervo__,_painting_Date:_1801-1850_____Spanish_:_portrait
   
   
     

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     Francisco de goya y Lucientes
     b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828,

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